Two floors, one job each.
Six bowls on the ground floor, four private chairs above, and a back room that isn’t open to clients. Here is how the space works.
I started on set, and kept the private chairs small on purpose.
Editorial work is unforgiving — you get one call and a photograph decides whether it worked. That is where the studio’s whole method comes from: work backwards from the result you actually need, and don’t guess.
The private chairs run on the same method. Fourteen a week isn’t a marketing number — it’s roughly what two colourists can do properly around a full week of shoots.
How a new private client actually starts.
The consultation
Free, thirty minutes, and required before any first colour booking. We look at your hair, your history and what you’re after.
The plan
Built from the consultation, not a price list — correction work especially gets an honest read on how many visits it will actually take.
The first appointment
Patch test 48 hours before, every time, no exceptions. Then the chair, at the pace your hair needs.
Four things every booking in the diary obeys.
◆ Fourteen a week
Private covers, no more — the number does not flex for anyone.
◇ No double-booking
One head at a time, start to finish.
◈ Consultation is separate
Free, thirty minutes, and it sometimes ends in a no.
❖ We will decline work
If the hair won’t do it, we say so rather than take the money.
Two floors, one job each.
What the space looks like between clients.
The consultation decides more than this page can.
Free, thirty minutes, and honest about what your hair can do — sometimes the answer is “not yet”.