I will not ask you to look at me once all day.
No posed group after posed group, no shot list, no hour of your wedding spent standing in a field. I photograph documentary, and the whole gallery is delivered in full — not a curated highlight reel.
The best photographs of your wedding are the ones nobody arranged.
I shoot documentary, which means I spend the day close to what is happening and largely out of the way of it. You will get a handful of deliberate portraits and hundreds of moments you did not know were being photographed.
Three kinds of day
Full day
Getting ready to the middle of the dancing. Around eleven hours and several hundred finished photographs.
Small weddings
Registry offices, elopements, a dozen people on a rooftop. Half days and short days, priced properly rather than as an afterthought.
Before the day
An hour somewhere you actually like, mostly so you get used to me being there. Included with full-day bookings.
Small enough to give every gallery the time it needs
One photographer, a monthly cap on bookings, and full-resolution delivery on everything I shoot.
Written after the gallery arrived
“I did not notice her working. Then the gallery arrived and half of it was moments I had no idea happened, which is somehow the whole point.”
“We are both deeply awkward in front of a camera and we said so at the first call. The answer was: good, I will not point one at you. She meant it.”
“The full price was on the website before we enquired. After two other photographers who wanted a call before telling us anything, that alone got her the booking.”
Check your date before you fall in love with it.
Two weddings a month, no more. If I am already booked, I will say so the same day and point you toward someone good.